{"id":1786,"date":"2021-05-25T15:03:13","date_gmt":"2021-05-25T15:03:13","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/a\/?page_id=1786"},"modified":"2023-10-02T08:15:04","modified_gmt":"2023-10-02T08:15:04","slug":"equipa","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/equipa\/","title":{"rendered":"Team"},"content":{"rendered":"

RESEARCHERS<\/h4>\n\n\n\n

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Principal Investigator<\/span> Milene Gil<\/strong> \u00e9 Conservadora-restauradora de pinturas murais e Investigadora auxiliar do Laborat\u00f3rio HERCULES, In2Past e da CityU Macau Catedra da Universidade de \u00c9vora, Portugal. Possui Doutoramento em Conserva\u00e7\u00e3o e Restauro do Patrim\u00f4nio Cultural, na especialidade Teoria, Hist\u00f3ria e T\u00e9cnicas de Produ\u00e7\u00e3o Art\u00edstica pela FCT\/UNL, P\u00f3s-Gradua\u00e7\u00e3o em Qu\u00edmica aplicada ao Patrim\u00f3nio Cultural pela FC\/UNL e P\u00f3s-Doutorado de 6 anos em Ci\u00eancias do Patrim\u00f4nio Cultural pela U\u00c9. M.Gil tem mais de 20 anos de experi\u00eancia na \u00e1rea da pintura mural em Portugal e no estrangeiro. <\/p>\n\n\n\n

Ci\u00eancia ID: E11E-AC92-94E9<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Co-PI<\/span> Antonio Candeias<\/strong> \u00e9 Qu\u00edmico especializado em qu\u00edmica de superf\u00edcies e ci\u00eancias do patrim\u00f4nio. Professor da Universidade de \u00c9vora desde 1992, foi diretor do Laborat\u00f3rio HERCULES desde a sua cria\u00e7\u00e3o em janeiro de 2009 at\u00e9 fevereiro de 2019. Atualmente \u00e9 Vice-Reitor de Investiga\u00e7\u00e3o e Desenvolvimento e Diretor do Instituto de Investiga\u00e7\u00e3o e Forma\u00e7\u00e3o Avan\u00e7ada da Universidade de \u00c9vora, Diretor da infraestrutura nacional ERIHS.pt (plataforma portuguesa da European Infrastructure in Heritage Sciences) e Presidente da C\u00e1tedra CityUMacau em \u201cSustainable Heritage\u201d. <\/p>\n\n\n\n

Ci\u00eancia ID: AA14-8B63-A81C<\/p>\n<\/div><\/div>\n\n\n\n

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Ana Catarina Pinheiro<\/strong> is a pharmacist and conservator-restorer with a PhD in Conservation Science. She works as a researcher at the HERCULES Laboratory at \u00c9vora University under a contract with the Foundation for Science and Technology. Her focus is on improving the working conditions and risk assessment for conservators-restorers, as well as promoting sustainability in their practices. Catarina is also passionate about science communication, particularly to students and the general public. She has experience in educational programs and has created engaging animated content to make science more accessible, especially to younger audiences. Currently, she co-coordinates scientific activities in schools and manages scientific communication through social media at HERCULES. <\/p>\n\n\n\n

Ci\u00eancia ID: C81B-0C4C-AF3A<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Ana Margarida Cardoso<\/strong> holds a Master in Materials Engineering. She interned at the Jos\u00e9 de Figueiredo Laboratory and Conservation Institute (LJF) under the Public Administration Internship Program in 2006. Since then she has collaborated in several projects funded by FCT in Portugal, at the LJF and HERCULES Laboratory, with a special focus on characterization of materials through vibrational spectroscopy and microscopic techniques.<\/p>\n\n\n\n

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Ana Manhita<\/strong> is a Chemist and Assistant Researcher at HERCULES Laboratory, University of \u00c9vora, Portugal. She completed her PhD in Chemistry in 2012, focused on the material study of historical textiles. She mainly develops her research in the field of analytical chemistry applied to the study of cultural heritage objects, with special emphasis on the application of advanced chromatographic techniques for the study of organic materials. <\/p>\n\n\n\n

Ci\u00eancia ID FE12-E3B2-35DD<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Carlo Bottaini<\/strong> is an archaeologist. He completed his PhD at the University of Coimbra (Portugal) in 2013. He is currently a researcher at HERCULES Lab, and he is a member of the CityUMacau Chair in Sustainable Heritage (University of \u00c9vora). Much of his research is concerned with exploring the dynamics of societal change in later prehistory of Western Europe and Mediterranean through the analysis of material culture and technologies. <\/p>\n\n\n\n

Ci\u00eancia ID: 1916-9091-9E7<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Catarina Miguel<\/strong> holds a PhD in Conservation Sciences from Universidade Nova de Lisboa and a degree in Chemical Engineering from Instituto Superior T\u00e9cnico. She is an integrated member of the HERCULES Laboratory from the University of \u00c9vora and Assistant Researcher in the same University. Specialist in vibrational spectroscopy, for the past fifteen years she has dedicated herself to the study of materials and techniques for producing illuminated manuscripts. <\/p>\n\n\n\n

Ci\u00eancia ID: 0613-67FF-B407<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Cristina Barrocas Dias<\/strong> is an Associate Professor and Deputy-Director of the HERCULES Laboratory, University of \u00c9vora. Her research expertise lies in the analysis of organic compounds by hyphenated chromatographic methods (LC-MS and GC-MS). Recently she has expanded her interests into the analysis of stable isotopes applied to cultural heritage. <\/p>\n\n\n\n

Ci\u00eancia ID: B919-3C14-0A34<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Jos\u00e9 Saias<\/strong> is an Assistant Professor at the Computer Science Department of Universidade de \u00c9vora, in Portugal. He holds a PhD in computer science (on natural language processing and question answering systems, in 2010) from University of \u00c9vora, at the same institution where he graduated in informatics engineering in 2001, and where he got an informatics engineering Master degree in 2003.
His research interests include artificial intelligence, multimodal interaction and opinion mining<\/em>.<\/p>\n\n\n\n

Ci\u00eancia ID: 2614-8378-0394<\/p>\n<\/div><\/div>\n\n\n\n

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Luis Dias<\/strong> \u00e9 Lu\u00eds Dias \u00e9 doutorado em Bioqu\u00edmica pela Universidade de \u00c9vora. Atualmente \u00e9 investigador contratado pela Universidade de \u00c9vora e membro do Conselho Cient\u00edfico do Laborat\u00f3rio HERCULES. Desde 2011, tem se dedicado ao estudo de materiais do Patrim\u00f3nio Cultural. Possui extensa experi\u00eancia na caracteriza\u00e7\u00e3o de materiais recorrendo a tecnologia de ponta, nomeadamente microscopia eletr\u00f3nica de varrimento, fluoresc\u00eancia de raios-X e difra\u00e7\u00e3o de raio-X.<\/p>\n\n\n\n

Ci\u00eancia ID: 3B14-2FD7-627F<\/p>\n<\/div><\/div>\n\n\n\n

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Mafalda Costa<\/strong> is a Geologist and a Researcher in the HERCULES Laboratory (University of \u00c9vora). Since 2014, she has been working in the field of archaeometry, using analytical techniques to determine the chemical and mineralogical composition of a wide range of inorganic materials recovered from Cultural Heritage. <\/p>\n\n\n\n

Ci\u00eancia ID: B01D-A767-9FD0<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Maria Gabriela de Carvalho<\/strong> is responsible for the Jos\u00e9 de Figueiredo Laboratory of the General Directorate for Cultural Heritage (DGPC-IJF). As a Conservator-Restorer, she regularly represents the institution in various meetings, conferences and congresses, both in Portugal and abroad, in the context of conservation problems and awareness on the principles of preventive conservation. She participates as a trainer and speaker in several actions, lectures and communications in schools, universities, associations and entities responsible for safeguarding cultural assets. In the Portuguese Museum Network, she coordinates the training needs in the Conservation area.<\/p>\n<\/div><\/div>\n\n\n\n

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Maria Irene Fraz\u00e3o<\/strong> is an Mural Paintings conservator since 1985, having worked in Institute of Jos\u00e9 de Figueiredo and presently working at the General Directorate of Cultural Heritage, in the Department of Study, Works and Inspection (DGPC-DEPO).<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Mariana Pinto dos Santos<\/strong>, Art Historian and independent curator, holds a PhD in History and Theory from the Facultat de Belles Arts - Universitat de Barcelona. She is a researcher at the Art History Institute, NOVA FCSH, where she coordinates the Theory of Art, Historiography and Criticism Group. She is also a co-editor of the Literary Work of Almada Negreiros. She was the curator, among others, of the exhibition Jos\u00e9 de Almada Negreiros: a way of being modern, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisbon (2017). Furthermore, she is also co-responsible for the research project Iberian Modernisms and the Primitivist Imaginary <\/em>((2018-22) (PTDC \/ ART-HIS \/ 29837\/2017). She is an editor at Edi\u00e7\u00f5es do Sagu\u00e3o. <\/p>\n\n\n\n

Ci\u00eancia ID: 071F-8344-EFEE<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Michele Portela<\/strong> has been a Conservator-Restorer since 1985 (expertise in painting and sculpture) at Jos\u00e9 de Figueiredo laboratory of the General Directorate for Cultural Heritage (DGPC-IJF).<\/p>\n<\/div><\/div>\n\n\n<\/p>\n\n\n

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Sara Charneca<\/strong> is responsible for the Documentation and Archive Service in the Port of Lisbon Administration, APL, S.A . She has a Master's Degree in Documentary Sciences in the area of Document Management; Post-graduation in Archives and in Libraries, by ULHT. She holds a Pre-Bologna Degree in the area of Educational Psychology and Vocational Guidance. As a student, she completed internships in institutions in Portugal and abroad, including the Presidency of the Portuguese Republic, Autoritat Portu\u00e0ria de Barcelona and Unilever Jer\u00f3nimo Martins. She has worked in the dissemination, enhancement and promotion of APL, S.A.'s Cultural Heritage, through exhibitions and guided tours. <\/p>\n\n\n\n

Ci\u00eancia ID: DD11-ACD1-B386<\/p>\n<\/div><\/div>\n\n\n\n

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Sara Valadas<\/strong> holds a PhD in Applied Chemistry for the study of easel paintings (University of \u00c9vora - 2010-2014). She has been carrying out scientific research in Cultural Heritage since 2007, when she joined the scientific team at Laborat\u00f3rio Jos\u00e9 de Figueiredo. She is currently a Researcher at HERCULES Laboratory and participates in several projects dedicated to works of art, most recently participating in the coordination of the E-RIHS.pt platform and providing international scientific training (Goa and Brazil). <\/p>\n\n\n\n

Ci\u00eancia ID: D612-C1DB-FD3C<\/p>\n<\/div><\/div>\n\n\n\n


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DESIGNERS<\/h4>\n\n\n\n

Nuno Carri\u00e7o<\/strong> \u2013 Laborat\u00f3rio HERCULES, Universidade de \u00c9vora, Portugal (2021)<\/p>\n\n\n\n

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FOT\u00d3GRAFO PROFISSIONAL<\/h4>\n\n\n\n

Manuel Ribeiro<\/strong> \u2013 http:\/\/qm0.pt<\/a>\/<\/p>\n\n\n\n

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CONSULTANTS<\/h4>\n\n\n\n

Catarina Almada Negreiros<\/strong> \u2013 http:\/\/can-ran.com\/<\/a>
Rita Almada Negreiros<\/strong> \u2013 http:\/\/can-ran.com\/<\/a>
Cl\u00e1udia S. Nunes<\/strong> – Instituto do Patrim\u00f3nio Hist\u00f3rico e Art\u00edstico Nacional (IPHAN-Brasil)
Leslie Rainer<\/strong> \u2013 Wall Paintings Conservator, Getty Conservation Institute (GCI-USA)
Mercedes S\u00e1nchez Pons<\/strong> \u2013 Departamento de Conservacion y Restauraci\u00f3n del Patrimonio, Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV-Spain)
Sim\u00e3o Palmeirim<\/strong> \u2013 Scientific research (CIEBA-FBAUL \/ IELT-FCSH UNL- Portugal)<\/p>\n\n\n\n

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BOLSEIROS<\/p>\n\n\n\n

Maria In\u00eas Cardoso<\/strong> – Bolsa 1 do projeto ALMADA para o levantamento documental e apoio de an\u00e1lises in loco. Dura\u00e7\u00e3o: 1 de Mar\u00e7o 2022 a 1 de Mar\u00e7o 2023
Jos\u00e9 Carlos Frade <\/strong> – Bolsa 2 do projeto ALMADA para an\u00e1lises em laborat\u00f3rio. Dura\u00e7\u00e3o: 2 de Mar\u00e7o 2023 a 2 de Mar\u00e7o 2024
Leonel Corado <\/strong> – Bolsa 3 do projeto ALMADA para o desenvolvimento de ferramentas interativas. Dura\u00e7\u00e3o: 25 de Janeiro 2023 a 25 de Janeiro 2024
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COLABORAC\u00d5ES <\/p>\n\n\n\n

Alberto Barontini<\/strong>– Departmento de Engenharia civil, Universidade do Minho
Cristina Gomes da Silva Oliveira da Cunha<\/strong>– Centro de documenta\u00e7\u00e3o e Arquivo da APL
Giorgia Casara<\/strong> – Levantamento documental no esp\u00f3lio de Almada Negreiros e Sara Affonso. IHA\/FCSH – CLP\/FLUC
Jani Santos e Ant\u00f3nio Cardoso<\/strong> \u2013 Multiespectral analysis. https:\/\/www.xpectraltek.com\/cultural.php<\/a>
Marius Ara\u00fajo<\/strong> \u2013 3D survey. https:\/\/arterialab.uevora.pt<\/a>.
Miguel Duarte Leal Gon\u00e7alves<\/strong> – multim\u00e9dia e video. https:\/\/arterialab.uevora.pt<\/a>.

<\/p>","protected":false},"excerpt":{"rendered":"

INVESTIGADORES Investigadora Respons\u00e1vel Milene Gil \u00e9 Conservadora-restauradora de pinturas murais e Investigadora auxiliar do Laborat\u00f3rio HERCULES, In2Past e da CityU Macau Catedra da Universidade de \u00c9vora, Portugal. Possui Doutoramento em Conserva\u00e7\u00e3o e Restauro do Patrim\u00f4nio Cultural, na especialidade Teoria, Hist\u00f3ria e T\u00e9cnicas de Produ\u00e7\u00e3o Art\u00edstica pela FCT\/UNL, P\u00f3s-Gradua\u00e7\u00e3o em Qu\u00edmica…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1786","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=1786"}],"version-history":[{"count":96,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1786\/revisions"}],"predecessor-version":[{"id":7078,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1786\/revisions\/7078"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=1786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}