![\"\"](\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2025\/02\/cartaz-seminario-final_280dpi.jpg\")
<\/figure>\n\n\n\nPROGRAM<\/strong><\/p>\n\n\n\n 8h45-9h30<\/strong> Registo. Chegada dos participantes. <\/p>\n\n\n\n INTERNATIONAL CONFERENCE COLOURS2022<\/strong>: Bridging Science with Art 22 a 25 de Jan 2025<\/strong>: Milene Gil, In\u00eas Cardoso, Mafalda costa, Jos\u00e9 carlos Frade, ‘Modern Muralist in the spolight: Technical and materials characteristics of the 1949 mural paintings by Almada Negreiros in Lisbon (Part1)’. 5\u00ba Encontro Nacional de Investigadores IN2PAST<\/a>. Universidade do Minho, Braga (Campus de Gualtar e Reitoria) e Extremo (Arcos de Valdevez), 22 a 25 de janeiro de 2025. 10 May 2023:<\/strong> Penka I. Girginova and Milene Gil, <\/sup><\/a>\u2018<\/sup>Microscopic studies of red ochre fresco paint layers replicas treated with nanolime\u2019<\/a>.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023. <\/p>\n\n\n\n 2022<\/strong><\/p>\n\n\n\n 9 Sept 2022<\/strong>: Milene Gil, 'Flying with Almada Negreiros'. Round Table 06.S1.N2.-\u00c9vora-Territory, city, science and scientific spaces. Crossed insights. VIII APA Congress - The New 20s - Challenges, Uncertainties, Resistances. Col\u00e9gio do Espirito Santo. \u00c9vora University. September 7th to 9th 2022. 13 Oct 2022<\/strong>: In\u00eas Cardoso, Cl\u00e1udia Pereira , Michele Portela, Irene Fraz\u00e3o, Gabriela Carvalho, Milene Gil, ‘The mural paintings by Almada Negreiros in the Maritime Stations of Alc\u00e2ntara and Rocha do Conde de \u00d3bidos; documentary research and analytical investigation of past interventions<\/a>‘.<\/strong> IV Edition of the Ibero-American Congress on Research in Conservation and Restoration. Faculty of Fine Arts, Pharmacy Museum, 14-18 October 2022. \n 24 Sept 2021<\/strong>: Projeto ALMADA na Noite Europeia dos Investigadores 2021, Pra\u00e7a do Giraldo, \u00c9vora. Milene Gil e Marius Ara\u00fajo com demonstra\u00e7\u00e3o do levantamento 3D efetuado na Escola BE Patr\u00edcio Prazeres, em Lisboa. Uma parceria do Laborat\u00f3rio HERCULES com o ARTERIA LAB da Universidade de \u00c9vora, Portugal.<\/p>\n\n\n\n 21 Oct 2021<\/strong>: Mafalda Costa, Sara Valadas, Ana Cardoso, Alice Vracken, Milene Gil, ‘Scientific Inventory of Almada Negreiros’ painting materials. Phase1: Powder pigments from LEFRANC-Paris-Couleurs pour la fresque’. 1st<\/sup> European Symposium on Drugs & Colors in History: from the past to the present: <\/strong>revisiting ancient Pharmacies, Apothecaries, Spezierias & Workshops. Universitat de Val\u00e8ncia, Spain. 22 Dec 2021<\/strong>: Milene Gil, \u2018Cultural Heritage, Studies and Safeguarding (HERCULES Laboratory)\u2019, University of \u00c9vora. ScienceDay@South -Heritage, Land and Sea. Auditorium of the Col\u00e9gio do Esp\u00edrito Santo, University of \u00c9vora. <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n \n ORGANIZA\u00c7\u00c3O SEMIN\u00c1RIO FINAL DO PROJETO, 14 MAR\u00c7O 2025BANNER PROGRAMAV\u00eddeo do Semin\u00e1rio Final [aqui]Livro de resumos [aqui]Galeria de imagens [aqui] PROGRAMA 8h45-9h30 Registo. Chegada dos participantes.9h30-10h Cerim\u00f3nia de abertura10h-10h20 Juntando as Pe\u00e7as. Levantamento documental das encomendas art\u00edsticas de Almada Negreiros e dos processos de restauro \u2013 Realces e DescobertasIn\u00eas Cardoso, Cl\u00e1udia Pereira, Ge\u00f3rgia Casara, Sim\u00e3o…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1942","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=1942"}],"version-history":[{"count":153,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1942\/revisions"}],"predecessor-version":[{"id":8320,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1942\/revisions\/8320"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=1942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
SEMIN\u00c1RIO FINAL DO PROJETO, 14 MAR\u00c7O 2025
BANNER PROGRAMA<\/a>
V\u00eddeo do Semin\u00e1rio Final [here<\/a>]
Livro de resumos [here<\/a>]
Galeria de imagens [here<\/a>]<\/p>\n\n\n\n
9h30-10h<\/strong> Cerim\u00f3nia de abertura
10h-10h20<\/strong> Juntando as Pe\u00e7as<\/strong>. Levantamento documental das encomendas art\u00edsticas de Almada Negreiros e dos processos de restauro \u2013 Realces e Descobertas
In\u00eas Cardoso, Cl\u00e1udia Pereira, Ge\u00f3rgia Casara, Sim\u00e3o Palmeirim, Milene Gil
10h20-10h40 As pinturas murais de Almada em Alc\u00e2ntara e a Segunda Guerra Mundial<\/strong>
Mariana Pinto dos Santos
10h40-11h<\/strong> Estudos Preparat\u00f3rios para as pinturas murais das gares mar\u00edtimas.<\/strong> Notas sobre o processo criativo.
Sim\u00e3o Palmeirim
11h-11h30<\/strong> Coffee break
11h30-11h50<\/strong> Um vislumbre do modus operandi<\/em> de Almada Negreiros como pintor muralista.<\/strong> Detalhes t\u00e9cnicos e materiais.
Milene Gil, In\u00eas Cardoso, Sim\u00e3o Palmeirim, Mafalda Costa, Yigit Helvaci, Jos\u00e9 Mir\u00e3o
11h50-12h10<\/strong> Trazidos \u00e0 Luz.<\/strong> Les pigments en poudre pour la fresque<\/em> da LEFRANC-Paris encontrados no atelier de Almada Negreiros.
Mafalda Costa, Ana Cardoso, Milene Gil
12h10-12h30<\/strong> T\u00e3o enganador como o pr\u00f3prio nome.<\/strong> Descodificando a utiliza\u00e7\u00e3o de verde Esmeralda nos murais de Almada Negreiros
Ant\u00f3nio Candeias, Lu\u00eds Dias, Jos\u00e9 C. Frade, Mafalda Costa, Sara Valadas, Peter VandenaBeele, Milene Gil
12h30-12h50<\/strong> Ter uma vis\u00e3o global.<\/strong> Identifica\u00e7\u00e3o, mapeamento e estudo das principais anomalias nas pinturas murais de Almada como guias para a sua conserva\u00e7\u00e3o futura.
Sara Valadas, Lu\u00eds Dias, In\u00eas Cardoso, Mafalda Costa, Ana Cardoso, J. Carlos Frade, Milene Gil
12h50-14h30<\/strong> Almo\u00e7o buffet no Sal\u00e3o Almada da Gare Mar\u00edtima da Rocha do Conde de \u00d3bidos
14h30-14h50<\/strong> \u00c0 procura dos materiais org\u00e2nicos utilizados por Almada Negreiros.<\/strong> O Caso de estudo da Rocha do Conde de \u00d3bidos
Ana Manhita, Cristina Dias, Jos\u00e9 Carlos Frade, Marcos Trindade, Milene Gil
14h50-15h10<\/strong> ALMADA \u00e9 para todos, em qualquer lugar!<\/strong> A estrat\u00e9gia de divulga\u00e7\u00e3o de ci\u00eancia aberta e o despertar da consciencializa\u00e7\u00e3o patrimonial do projeto ALMADA.
Milene Gil, Jos\u00e9 Saias, Jos\u00e9 Duarte, Manuel Ribeiro, In\u00eas Cardoso, Catarina Pinheiro, Carlo Bottaini, Leonel Corado, Ant\u00f3nio Candeias
15h10-15h30<\/strong> Cerim\u00f3nia de encerramento
15h30<\/strong> Lan\u00e7amento da edi\u00e7\u00e3o O Desvendar da Arte de Pintura Mural de Almada Negreiros. Imagens de um projeto transdisciplinar<\/em>.
With Rita and Catarina Almada Negreiros.<\/p>\n\n\n\n![\"\"](\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/09\/HeroWebsite_baixo-237x300.jpg\")
<\/figure>
Link: http:\/\/www.hercules.uevora.pt\/Colours2022<\/a>\/<\/strong>
Third edition dedicated to modern and contemporary art, with a focus on murals and street art.
14 to 16 September at \u00c9vora University, Portugal
Programa e livro de resumos em: https:\/\/www.hercules.uevora.pt\/Colours2022\/documents\/Colours2022-BookofAbstracts.pdf<\/a><\/strong>
Video of COLOURS2022: <\/strong>https:\/\/youtu.be\/2a4640GF8dQ<\/strong><\/a>
All presentations at: https:\/\/www.hercules.uevora.pt\/Colours2022\/programme.html<\/strong><\/a>
Photo gallery of the conference: https:\/\/www.hercules.uevora.pt\/Colours2022\/album\/<\/strong><\/a>
<\/p>\n<\/div><\/div>\n\n\n\n
ATTENDANCE
2025<\/a><\/strong> 2024<\/a><\/strong> 2023<\/a> 2022<\/a> 2021<\/a><\/strong>
2025<\/strong>
20 a 22 Fev 2025<\/strong>: Milene Gil, In\u00eas Cardoso, Lu\u00eds Dias, Mafalda Costa, Jos\u00e9 Carlos Frade, Ana Manhita, Cristina Dias, ‘Past treatments materials in modern murral paintings sets in Lisbon ( Portugal), documental and diagnosis research. What have we learned?. EXCISS VALENCIA 2025<\/a>, Universidade Polit\u00e9cnica de Val\u00eancia, 20 a 22 de Fevereiro de 2025.<\/p>\n\n\n\n
22 a 25 de Jan 2025<\/strong>: Sim\u00e3o Palmeirim and Milene Gil, ‘Tracing the artistic journey: From Almada Negreiros’ preliminar studies to the 1949 mural painted at the Rocha do Conde de \u00d3bidos Maritime Station, Lisbon (Portugal)’. 5\u00ba Encontro Nacional de Investigadores IN2PAST<\/a>. Universidade do Minho, Braga (Campus de Gualtar e Reitoria) e Extremo (Arcos de Valdevez), 22 a 25 de janeiro de 2025.
22 a 25 de Jan 2025<\/strong>: Lu\u00eds Dias, Milene Gil, In\u00eas Silva, Ant\u00f3nio Candeias, Ana Teresa Caldeira, ‘Study of microbial community present on Almada Negreiros’ Murals at the Station of Rocha do Conde de \u00d3bidos, Lisbon (Portugal). 5\u00ba Encontro Nacional de Investigadores IN2PAST<\/a>. Universidade do Minho, Braga (Campus de Gualtar e Reitoria) e Extremo (Arcos de Valdevez), 22 a 25 de janeiro de 2025.
2024<\/strong>
1 Feb 2024<\/strong>: Milene Gil, In\u00eas Cardoso , Mafalda Costa, Lu\u00eds Dias, Sara Valadas, Ana Manhita, Cristina Dias,
Alberto Barontini, Teresa Caldeira e Ant\u00f3nio Candeias, ‘Conhecer para (melhor) conservar as pinturas murais de Almada Negreiros. A import\u00e2ncia do diagn\u00f3stico como etapa pr\u00e9via a interven\u00e7\u00f5es de conserva\u00e7\u00e3o e restauro: O caso de estudo da gare da Rocha do Conde de \u00d3bidos. 4\u00ba ENCONTRO NACIONAL DO LABORAT\u00d3RIO ASSOCIADO IN2PAST. FCSH-NOVA, Lisboa, 1-2 de Fev 2024.
29 Oct 2024<\/strong>: Mercedes S\u00e1nchez-Pons, Lu\u00eds D\u00edas, Duccio Sanesi, Jos\u00e9 C. Frade, Ant\u00f3nio Candeias, Jos\u00e9 Mir\u00e3o, Ana Teresa Caldeira, Maria J. Penetra, Silvia Arantes, Milene Gil,.<\/sup>‘Knowledge For Conservation. First Multi-Analytical Approach To Jos\u00e9 Bellver’s Experimental Silicate Technique In The Mural Paintings Of The Church Of Santa Cruz, Valencia (1941-1942)’. Ciencia y Arte X. Ciencias y Tecnolog\u00edas aplicadas a la Conservaci\u00f3n del Patrimonio, Madrid. Funda\u00e7\u00e3o La Caixa, 29-31 Outubro.<\/a>
29 Oct 2024<\/strong>: Gl\u00e1ucia Wanzeller, Teresa Ferreira, Sara Valadas, Cristina Coelho, Maria Lu\u00edsa Carcereri, Milene Gil, ‘Exploring Theory And Practice Of Twenty Century Mural Paintings: Scientific Study Of Gilda Neuberger’s 1963 Mural In Rio De Janeiro, Brasil’. Ciencia y Arte X. Ciencias y Tecnolog\u00edas aplicadas a la Conservaci\u00f3n del Patrimonio, Madrid. Funda\u00e7\u00e3o La Caixa, 29-31 Outubro<\/a>.
7 Nov 2024<\/strong>: Cristina Dias, Mafalda Costa, Sara Valadas, Ana Cardoso, Ana Manhita, Milene Gil, Exploring 20th Century Mural Art: Technical Art History And Conservation Challenges -The Case Study of Almada Negreiros (1938-1956)’. Workshop, \u201cBridging Worlds:Archaeoscience and Heritage Studies<\/a>, November 7-8, 2024.<\/p>\n\n\n\n
<\/p>\n\n\n\n
2023<\/strong>
10 May 2023:<\/strong> Milene Gil, Mafalda Costa, Sara Valadas, In\u00eas Cardoso, Ana Cardoso, Ana Manhita, Jie Wu, Alberto Barontini, \u2018Mapping and identification of decay on the modern mural paintings sets by Almada Negreiros at the Maritime stations of Alc\u00e2ntara, Lisbon: type, origin, and consequences<\/a>\u2019.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023.
<\/strong>site: https:\/\/technart2023.com\/<\/a>
10 May 2023: <\/strong>Milene Gil, In\u00eas Cardoso, Ana Cardoso, Ana Manhita, \u2018<\/sup><\/a>How are they aging? Tracking past treatment materials in modern mural painting sets by Almada Negreiros in the two maritimes stations of Alc\u00e2ntara, Lisbon\u2019<\/a>. <\/strong>TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023.
<\/strong>site: https:\/\/technart2023.com\/<\/a>
10 May 2023:<\/strong> Milene Gil, Mafalda Costa, Sara Valadas, In\u00eas Cardoso, Ana Cardoso, Ana Manhita, Jie Wu, Alberto Barontini, \u2018Mapping and identification of decay on the modern mural paintings sets by Almada Negreiros at the Maritime stations of Alc\u00e2ntara, Lisbon: type, origin, and consequences<\/a>\u2019.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023.
<\/strong>site: https:\/\/technart2023.com\/<\/a><\/p>\n\n\n\n
site: https:\/\/technart2023.com\/<\/a>
11 Maio 2023:<\/strong> Mafalda Costa, Giacomo Chiari, Luis Dias, Yigit Helvaci, Milene Gil ‘On the application of SmART_scan in the study of the Planisphere mural painting by the Portuguese modernist Almada Negreiros’<\/a>.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023.
site: https:\/\/technart2023.com\/<\/a>
11 Maio 2023:<\/strong> Gl\u00e1ucia Wanzeller, Teresa Ferreira, Milene Gil, \u2018Analytical study of the powdered pigments collection from the Brazilian artist Gilda Neuberger (1911-2011)\u2019<\/a>.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ci\u00eancias. Lisboa, 7-12 Maio 2023.
site: https:\/\/technart2023.com\/<\/a>
6 a 9 Setembro 2023<\/strong>: Sara Valadas, Mafalda Costa, Peter Vandenabeele, Eva Vermeersch, Sylvia Lycke, Youssef Ismael, Milene Gil, ‘Get to known the greens of Almada Negreiros mural paintings at the maritime station of Rocha do Conde de \u00d3bidos, Lisbon’<\/a>. A multidisciplinary approach’. Raa2023: International Conference on the Application of Raman Spectroscopy in Art and Archeology. The National Gallery-Alexandros Soutsos Museum Athens, Greece, 6-9 September.
site: https:\/\/www.raa2023.ugent.be\/<\/a>
23 Setembro 2023<\/strong>: Milene Gil, ‘Projeto ALMADA \u00e9 para todos em qualquer lugar<\/a>‘. Jornadas Europeias do Patrim\u00f3nio Vivo. Museu Nacional Frei do Cen\u00e1culo, \u00c9vora, Portugal.
27 Setembro 2023<\/strong>: Milene Gil, ‘ALMADA Project, Lisbon, PORTUGAL’. Presentation of the awarded nomination at the Heritage Excellence Day – Europa Nostra2023, Sala degli Arazzi, Fondazione Giorgio Cini, Island of San Giorgio Maggiore. European Cultural Heritage Summit, Veneza, It\u00e1lia.
Site com o programa: https:\/\/www.europanostra.org\/events\/excellence-day-presentations-by-the-award-winners-2023\/<\/a>
Video<\/a><\/strong> das apresenta\u00e7\u00f5es do Heritage Excellence Day. A apresenta\u00e7\u00e3o do projeto Almada a 2.39:46.
Photos here<\/strong><\/a>
23 Outubro 2023<\/strong>: Milene Gil, ‘Projeto ALMADA’. Apresenta\u00e7\u00e3o da candidatura ganha Nos Pr\u00e9mios Europeus do patrim\u00f3nio EUROPA NOSTRA2023 na categoria Envolvimento e Sensibiliza\u00e7\u00e3o dos cidad\u00e3os. Cerim\u00f3nia de entrega do Pr\u00e9mio Europeu Helena Vaz da Silva. Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa, Portugal.
Video da cerim\u00f3nia here<\/strong><\/a>. The presentation of the ALMADA project can be seen from min 47:14.\nTranslation by Deepl Translate
5-7 Dezembro 2023<\/strong>: \u00a0Joaquin Ramos, Alexa Camaxo, Glynnis Flaum, Elisabed Lejava, Alberto Barontini, Paulo Levaja, Paulo B. Louren\u00e7o e Milene Gil, \u2018Rocha Do Conde De \u00d3bidos Maritime Station: Preliminary Results of the Inspection\u2019 CIRMARE 2023: International Conference on Recovery, Maintenance and Rehabilitation of Buildings, Covilh\u00e3, \u00a05-7 December 2023
7-9 December 2023<\/strong>: Dias, L; Gil, M; Silva, I; Candeias, A; Caldeira, AT. “Unwelcome enthusiasts of Almada Negreiros mural paintings \u2013 A metagenomic approach to the murals situated in Alc\u00e2ntara Maritime Station, Lisbon Portugal)<\/a>“. \u00a0Congress of Microbiology and Biotechnology, UBI, Covilh\u00e3 2023<\/em>
<\/p>\n\n\n\n
Program [pag.917]: https:\/\/apa2022.apantropologia.org\/wp-content\/uploads\/2022\/08\/Paineis-e-Comunicacoes-aprovados_IX.pdf<\/strong><\/a>
14 -16 Sept 2022: <\/strong>Presentations of ALMADA project made at COLOURS2022: Bridging Science with Art (3rd Edition). Col\u00e9gio do Esp\u00edrito Santo, University of \u00c9vora, 14th to 16th September.
1. Mariana Pinto dos Santos, ‘Almada Negreiro’s work under, for and about the Portuguese dictatorship of the Estado Novo<\/a>‘.<\/strong>
2. Sim\u00e3o Palmeirim, ‘Decoding a drawing: Igreja de Nossa Senhora de F\u00e1tima glass works colour scheme<\/a>‘.<\/strong>
3. Gl\u00e1ucia Wanzeller, Teresa Ferreira, Milene Gil, ‘Colours, inspiration, and history behind Gilda Gelmini Neuberger (1811-2011)<\/strong><\/a>.
4. Cl\u00e1udia Nunes, Carolina Barata, Maria Aguiar, Roberto Carlos da Concei\u00e7\u00e3o Ribeiro, Rosana Elisa Copped\u00ea Silva, Caroline Martins de Souza e Michelle Teixeira Cassiano, ‘Children’s Games – A large painting by Candido Portinari at Gustavo Capanema Palace \u2013 RJ, Brazil<\/a>‘<\/strong>.
5. Andrea Acevedo Mej\u00eda, Mafalda Costa, Peter Vandenabeele, Luis Dias , Ana Manhita, Milene Gil, ‘An Insight into the Green Deteriorated Mural Paint Layers at the Maritime Station of Alc\u00e2ntara (Lisbon): first results of an Archeometric Study<\/a><\/strong>‘.
6. Keelie S. Rix, Luis Dias, Sara Valadas, Ana Cardoso, Ana Manhita, Milene Gil, ‘Preliminary diagnostic Survey of 1947-1949 Paint Layers at the Maritime Station of Rocha Do Conde De \u00d3bidos, Lisbon: A Multi Analytical Research<\/a>‘.<\/strong>
7. Leslie Rainier, ‘David Alfaro Siqueiros in Los Angeles, 1932<\/a>‘.<\/strong>
8. Mercedes S\u00e1nchez-Pons, ‘The conservator-restorer and the Street Art: the questions are on the table. The Valencian Old City Case’<\/a>.<\/strong>
9. Mathilda L Coutinho, Silvia Pereira, Catarina Geraldes, Milene Gil, Silvia Bottura Scardina, Jo\u00e3o Pedro Veiga and Andreia Ruivo, ‘Colours of the Tijomel ceramic manufacture (1941-1992): characterization of the ceramic pigments’.
10. Milene Gil, Yigit Helvaci, Ana Cardoso and Mafalda Costa, ‘The Colourful Planisphere Painting of Almada Negreiros (Part1): phases of execution, technical and material details. Some observations’.
11. Penka I. Girginova, Cristina Galacho and Milene Gil, ‘Studies of the long-term effect of nanoconsolidants on mural paint layers with a lack of cohesion’.
12. Milene Gil, Marius Ara\u00fajo, Jani Santos e Carlo Bottaini, ‘Testing advanced 2 and 3D imaging techniques on Almada Negreiros murals technical and material studies’.
30 Sept 2022:<\/strong> Speed dating with Cultural Heritage. ALMADA Project at the European Researchers' Night 2022, NEI2022. Giraldo Square, \u00c9vora, Portugal.
Program [pag3 of pdf]: https:\/\/drive.google.com\/file\/d\/1dyAY1_bBi9LGKo8m4rjlwPcHLxDXqqlK\/view<\/strong><\/a><\/p>\n\n\n\n
14 Oct 2022<\/strong>: Milene Gil e Catarina Pinheiro, ‘The open science strategy and community involvement in the ALMADA project. IV Edition of the Ibero-American Congress on Research in Conservation and Restoration\u2019<\/a>.<\/strong> Faculty of Fine Arts, Pharmacy Museum, 14-18 October 2022
22 Nov 2022<\/strong>:Mariana Pinto dos Santos, \u2018Aesthetics and politics in the murals of Almada Negreiros'<\/a>‘<\/strong> [ min 57:44 a 60:35]. Os Murais de Almada Negreiros e as Gares Mar\u00edtimas de Alc\u00e2ntara e da Rocha do Conde d’ \u00d3bidos: olhar(es) cr\u00edtico(s) sobre a sua hist\u00f3rica e convite \u00e0 reflex\u00e3o sobre o seu valor contempor\u00e2neo. Audit\u00f3rio Gare Mar\u00edtima de Alc\u00e2ntara. Uma iniciativa da APL, da WMF e da PNA. 22 de Novembro 2022
29 de Nov 2022<\/strong>: Glaucia Wenzeller, Arte e qu\u00edmica, cores e hist\u00f3ria por tr\u00e1s de Gilda Gelmini Neuberger. Sal\u00e3o Nobre, LARC-UFRJ, Brasil.
<\/p>\n\n\n\n
\n2021<\/strong>
9 Sept 2021<\/strong>: Mariana Pinto dos Santos participou no Semin\u00e1rio Aberto Face au mur<\/a>. La d\u00e9coration murale en France (1870-1945)<\/em>, organized at INHA, Paris, presenting the research on the mural paintings by Almada Negreiros in the Maritime stations of Alc\u00e2ntara and Rocha do Conde de \u00d3bidos in S\u00e9ance 2 \u2013 Une histoire culturelle du mur : politiques, usages et circulation<\/em>,\u00a0chaired by Prof. Beatrice Joyeux-Prunel. University of Geneva.
Program: https:\/\/faceaumur.hypotheses.org\/36<\/a><\/strong><\/p>\n\n\n\n
Program: https:\/\/www.uv.es\/drugsandcolor\/program.html<\/strong><\/a><\/p>\n\n\n\n
Programa: https:\/\/www.uevora.pt\/ue-media\/noticias?item=33603<\/a>
<\/strong><\/p>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"