{"id":1957,"date":"2021-05-26T15:15:40","date_gmt":"2021-05-26T15:15:40","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/a\/?page_id=1957"},"modified":"2024-06-24T10:59:35","modified_gmt":"2024-06-24T10:59:35","slug":"eventos-online","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/eventos-online\/","title":{"rendered":"Online Events"},"content":{"rendered":"<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"veja-os-murais-conheca-o-artista\"><strong>See the Murals, Know the artist<\/strong><\/h3>\n\n\n\n<p>Cycle of <strong>6 + 3 <\/strong>open lectures dedicated to the artistic life of Almada and his mural painting masterpieces. One per month at 17:00 (GMT-Portugal) via zoom.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/05\/marianaPintoDosSantos-150x150.png\" alt=\"\" class=\"wp-image-2371 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-black-color has-text-color\" style=\"font-size:14px\"><strong>Lecture 1, 18 June 2021<\/strong><br>The\u00a0Comissions\u00a0within the context of\u00a0Almada\u00a0Negreiros\u2019s Art work<br>Mariana Pinto dos Santos<br><strong><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica\/\">Abstract and biographic note<\/a> <\/strong><br><br>Link: &nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/81786192256?pwd=bFdxUG5iN05qd0NmVGpUNm1yTUF4QT09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/81786192256?pwd=bFdxUG5iN05qd0NmVGpUNm1yTUF4QT09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/06\/casa-AN-c1947-150x150.jpg\" alt=\"Palestra2\" class=\"wp-image-2506 size-thumbnail\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/06\/casa-AN-c1947-150x150.jpg 150w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/06\/casa-AN-c1947-300x300.jpg 300w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/06\/casa-AN-c1947-12x12.jpg 12w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/06\/casa-AN-c1947.jpg 649w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><strong><strong>Lecture 2, 16 July<\/strong> <strong>2021<\/strong><br><\/strong><\/strong>Almada? Minor arts?<br>Carlos Bartolo<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/evento-2\/\"><strong>Abstract and biographic note<\/strong><\/a><br><br>Link: <a href=\"https:\/\/videoconf-colibri.zoom.us\/j\/85455498690?pwd=aW5UaE9XWEloUVhRNmRKd2trbFYxUT09\">https:\/\/videoconf-colibri.zoom.us\/j\/85455498690?pwd=aW5UaE9XWEloUVhRNmRKd2trbFYxUT09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/09\/Raquel-Henriques-da-Silva-150x150.jpg\" alt=\"\" class=\"wp-image-2761 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><strong>Lecture 3, 17 September<\/strong> <strong>2021<\/strong><br><\/strong>The works at the church of N. Sra. of F\u00e1tima in the genesis of the mural painting of Almada. The primacy of stained glass<br>Raquel Henriques da Silva<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-2\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-2\/\"><strong>Abstract and biographic note<\/strong><\/a><br><br>Link: <a href=\"https:\/\/videoconf-colibri.zoom.us\/j\/81234161355?pwd=dHhDUjhQWUZEcTduOXNnVGpEQ0liZz09\">https:\/\/videoconf-colibri.zoom.us\/j\/81234161355?pwd=dHhDUjhQWUZEcTduOXNnVGpEQ0liZz09<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/87591305174?pwd=dnVvVmpmcmVpbHIzYXBjbFFSWGtaZz09\" target=\"_blank\">mcmVpbHIzYXBjbFFSWGtaZz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/09\/coimbra_pormenor-150x150.jpeg\" alt=\"\" class=\"wp-image-3028 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecture 4, 15 October 2021<\/strong><br>Materialization and materiality in the geometry of\u00a0Almada<br>Sim\u00e3o Palmeirim and Pedro Freitas<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-3\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-3\/\"><strong>Abstract and biographic note<\/strong><\/a><br><br>Link:&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/87591305174?pwd=dnVvVmpmcmVpbHIzYXBjbFFSWGtaZz09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/87591305174?pwd=dnVvVmpmcmVpbHIzYXBjbFFSWGtaZz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/05\/IMG_6644b-150x150.jpg\" alt=\"\" class=\"wp-image-3885 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecture 5, 19 November<\/strong> <strong>2021<\/strong><br>The IJF restoration brigades in the mural paintings of Almada Negreiros \u2013 conservation and restoration perspective<br>Irene Fraz\u00e3o, Michelle Portela, Gabriela Carvalho<br><strong><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-4\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-4\/\">Abstract and biographic note<\/a>o<\/strong><\/p>\n\n\n\n<p>Link: &nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/86467855243?pwd=MXZEZm1MUDdGOXhrK2liQytjQ0FMUT09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/86467855243?pwd=MXZEZm1MUDdGOXhrK2liQytjQ0FMUT09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2021\/11\/260922811_4282011548577575_2603167181439065133_n-150x150.jpg\" alt=\"\" class=\"wp-image-3229 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecture 6, 17 December 2021<\/strong><br>Heritage Science at the service of Almada Negreiros Art Mural: traditional pigments and innovations in Almada's chromatic palettes at the DN Building in Lisbon<br>Milene Gil, Mafalda Costa, Sara Valadas, Ana Cardoso, Yigit Helvaci, Sriradha Bhattacharya<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-5\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-5\/\"><strong>Abstract and biographic note<\/strong><\/a><br>Link: <a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/88096472517?pwd=b3gxNndXSFU4dzlJaUxJSktWWEJnZz09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/88096472517?pwd=b3gxNndXSFU4dzlJaUxJSktWWEJnZz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/01\/Mercedes-Lecture-Photo-1-150x150.png\" alt=\"\" class=\"wp-image-3382 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecture 7, 22 January 2022<\/strong><br>What about Spanish murals of the 20th century? Needs and opportunities<br>Mercedes S\u00e1nchez Pons<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-6\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-6\/\"><strong>Abstract and biographic note<\/strong><\/a><br>Link: <a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/84650222547?pwd=V3dYK01WRHNKVVJqUDRVWjJQSE9HZz09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/84650222547?pwd=V3dYK01WRHNKVVJqUDRVWjJQSE9HZz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/02\/Imagem-Palestra-1-150x150.jpg\" alt=\"\" class=\"wp-image-3448 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecture 8, 18 February 2022<\/strong><br>A Brazilian Cultural Legacy: Candido Portinari's paintings at Gustavo Capanema Palace, Rio de Janeiro, Brazil<br>Cl\u00e1udia Nunes<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-7\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-7\/\"><strong>Abstract and biographic note<\/strong><\/a><br>Link: &nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/84085992130?pwd=NXdpdVRDRUVlcjJjWjN4L3h3dmIwdz09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/84085992130?pwd=NXdpdVRDRUVlcjJjWjN4L3h3dmIwdz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/03\/LRainer_GMCI_WH13841_176_cr-150x150.jpg\" alt=\"\" class=\"wp-image-3642 size-thumbnail\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/03\/LRainer_GMCI_WH13841_176_cr-150x150.jpg 150w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/03\/LRainer_GMCI_WH13841_176_cr-11x12.jpg 11w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Lecturer 9, 25 March 2022<\/strong><br>History and Conservation of Murals in Los Angeles<br>Leslie Rainer<br><a href=\"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-8\/\" data-type=\"URL\" data-id=\"https:\/\/almadanegreiros.uevora.pt\/resumo-e-nota-biografica-8\/\"><strong>Abstract and biographic note<\/strong><\/a><br>Link: &nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/videoconf-colibri.zoom.us\/j\/88227968506?pwd=ZjhUR1NuQ1l6NWRxNU9ZeEZpdE1ZZz09\" target=\"_blank\">https:\/\/videoconf-colibri.zoom.us\/j\/88227968506?pwd=ZjhUR1NuQ1l6NWRxNU9ZeEZpdE1ZZz09<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p><br><strong>OTHER EVENTS<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1096\" height=\"785\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2024\/02\/Imagem-1.jpg\" alt=\"\" class=\"wp-image-7742 size-medium\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2024\/02\/Imagem-1.jpg 1096w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2024\/02\/Imagem-1-300x215.jpg 300w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2024\/02\/Imagem-1-768x550.jpg 768w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2024\/02\/Imagem-1-18x12.jpg 18w\" sizes=\"auto, (max-width: 1096px) 100vw, 1096px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>. Milene Gil \"The importance and practical scope of heritage research for conservation and restoration: the case study of the mural paintings of the Rocha do Conde de \u00d3bidos station, Lisbon\". 5th International video conference cycle 'When Science and Technology intersect with the Arts and Letters'. Lecture, 20 February 2024.<br>Link: <a href=\"https:\/\/us02web.zoom.us\/j\/86558856127?pwd=ZE1OU05kaDZsQ2pTcVFOK3BXUko4dz09ID da reuni\u00e3o:&nbsp;865 5885 6127Senha:&nbsp;Pk9Gc6\">https:\/\/us02web.zoom.us\/j\/86558856127?pwd=ZE1OU05kaDZsQ2pTcVFOK3BXUko4dz09ID da reuni\u00e3o: 865 5885 6127<br>Senha: Pk9Gc6<\/a><br><\/p>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1929\" height=\"1319\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1.jpg\" alt=\"\" class=\"wp-image-7481 size-medium\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1.jpg 1929w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1-300x205.jpg 300w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1-768x525.jpg 768w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1-1536x1050.jpg 1536w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2023\/11\/Imagem1-18x12.jpg 18w\" sizes=\"auto, (max-width: 1929px) 100vw, 1929px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\" translation-block\">. Milene Gil 'ALMADA Project: a transdisciplinary approach at the service of conservation and restoration and art history';  Glaucia Wenzeller Martins 'Art and Chemistry: A transdisciplinary characterization in the study of fresco and false fresco works by Gilda Neuberger (1911-2011)'.\n\nScientific Studies for the Conservation of Mural Painting. House lectures \u2013 an initiative by Casa de Oswaldo Cruz (COC\/Fiocruz, Brazil), broadcast live on the House's YouTube. November 8, 2023 at 9:45 am (Brazil); 12:45 pm (Portugal)<\/p>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n-300x169.jpg\" alt=\"\" class=\"wp-image-4942 size-medium\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n-300x169.jpg 300w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n-768x432.jpg 768w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n-1536x864.jpg 1536w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n-16x9.jpg 16w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/289017549_490686259526282_3563399110400009108_n.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>. Andrea Acevedo Mejia, \u2018A Deep Insight into the green deteriorated paint layers at the Maritime station of Rocha do Conde de \u00d3bidos: an archeometric study.\u2019 10mn-talks Archmarathon, 2nd edition. An initiative of Hercules Laboratory. Lecture, June 28, 2022<br>Link: <a href=\"https:\/\/www.facebook.com\/photo\/?fbid=490686262859615&amp;set=a.414001617194747\">https:\/\/www.facebook.com\/photo\/?fbid=490686262859615&amp;set=a.414001617194747<\/a><\/p>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-top\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"232\" src=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/Imagem1-2-300x232.jpg\" alt=\"\" class=\"wp-image-4939 size-medium\" srcset=\"https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/Imagem1-2-300x232.jpg 300w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/Imagem1-2-16x12.jpg 16w, https:\/\/almadanegreiros.uevora.pt\/wp-content\/uploads\/2022\/08\/Imagem1-2.jpg 610w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>. Milene Gil, \u2018Projeto Almada Negreiros\u2019. Science and Technology Week 2021. Lecture, November 27, 2021.<br>Program: <a href=\"https:\/\/www.cienciaviva.pt\/semanact\/2021\/eventos.php?accao=showactivities&amp;id_activity=1389#evento\">https:\/\/www.cienciaviva.pt\/semanact\/2021\/eventos.php?accao=showactivities&amp;id_activity=1389#evento<\/a>&nbsp;<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/videoconf-colibri.zoom.us\/j\/89402538367?pwd=USVr1-brfCaI_y-TXjJXn2O_kDeecZ.1&amp;fbclid=IwAR302kPt5Keij9pBVvxOiYz6neZDNF4fHuyKLAwv6zIpy7vl_5rZxT1_1K4#success\"><br><\/a><br> <br> <br> <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Veja os murais, Conhe\u00e7a o artista Ciclo de 6 + 3 palestras abertas dedicadas \u00e0 vida art\u00edstica de Almada e obras-primas da pintura mural. Uma por m\u00eas \u00e0s 17h (GMT-Portugal) via zoom. Palestra 1, 18 Junho 2021A Encomenda no contexto da obra de Almada NegreirosMariana Pinto dos Santosresumo Link: &nbsp;https:\/\/videoconf-colibri.zoom.us\/j\/81786192256?pwd=bFdxUG5iN05qd0NmVGpUNm1yTUF4QT09&#8230;<\/p>","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1957","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=1957"}],"version-history":[{"count":95,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1957\/revisions"}],"predecessor-version":[{"id":7929,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1957\/revisions\/7929"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}