{"id":1966,"date":"2021-05-26T15:17:22","date_gmt":"2021-05-26T15:17:22","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/a\/?page_id=1966"},"modified":"2025-04-26T19:40:39","modified_gmt":"2025-04-26T19:40:39","slug":"formacao-avancada","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/formacao-avancada\/","title":{"rendered":"Advanced Training\/Others"},"content":{"rendered":"

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PHD THESIS<\/strong>
. Gl\u00e1ucia Wanzeller Martins<\/strong>, ‘Arte e Qu\u00edmica: Uma caracteriza\u00e7\u00e3o transdisciplinar no estudo das obras a fresco e falso fresco de Gilda Neuberger (1911-2011).. Programa Doutoral em Qu\u00edmica (c\u00f3d.727). Universidade de \u00c9vora, Portugal
Duration: Sept 2021 - present

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MASTER THESIS<\/strong><\/p>\n\n\n\n

. Bruna Filipe Assun\u00e7\u00e3o Godinho<\/strong>, Editorial Design Layout for Research Projects: ALMADA Project’. Mestrado em Design. Universidade de \u00c9vora, Portugal. Ano 2025 [Em curso]<\/p>\n\n\n\n


. Youssef Ismael<\/strong>, ‘It is all about the colours: an archeometric study of the pictorial materials used by Almada at the Maritime Station of Rocha do Conde de \u00d3bidos’. Programa A<\/em>RCHMAT ERASMUS MASTER MUNDUS. Edi\u00e7\u00e3o 2021-2023. Universidade de \u00c9vora, Portugal. Dura\u00e7\u00e3o:1 Mar\u00e7o 2023 – presente

.Andrea Acevedo<\/strong>, ‘A deep Insight into the green deteriorated paint layers at the Maritime Station of Alc\u00e2ntara: An Archeometric study. Programa A<\/em>RCHMAT ERASMUS MASTER MUNDUS. Edi\u00e7\u00e3o 2020-2022. Universidade de \u00c9vora, Portugal. Dura\u00e7\u00e3o: 1 Mar\u00e7o 2022 – 20 Dez 2022

. Keelie Rix<\/strong>, ‘Diagnostic\u00a0Survey\u00a0of\u00a0 Deteriorated Paint\u00a0Layers\u00a0at\u00a0the\u00a0Maritime\u00a0Station\u00a0of\u00a0Rocha\u00a0do\u00a0Conde\u00a0De\u00a0O\u0301bidos: a multi-analytical research’. Programa A<\/em>RCHMAT ERASMUS MASTER MUNDUS. Edi\u00e7\u00e3o 2020-2022. Universidade de \u00c9vora, Portugal. Dura\u00e7\u00e3o:1 Mar\u00e7o 2022 – 20 Dez2022


INTERNSHIPS<\/strong>
. Alice Vracken<\/strong>, Internship – Course H00B0B – Academic year 2021 \u2013 2022. Raymond Lemaire international centre for conservation, Belgium. 1 Out a 30 Nov 2021.
.Irene Sainz Escalona<\/strong>, internship ERASMUS +. Escuela de Arte y Superior de Conservaci\u00f3n y Restauraci\u00f3n de Bienes Culturales de Le\u00f3n, Spain.19 de Julho a 30 de Set 2021.
. Alexandre Miguel Mayorga Rodriguez<\/strong>, Internship- Multimedia 2\u00ba ano Escola Profissional da Regi\u00e3o do Alentejo, Portugal. 4 Fevereiro a 25 de Mar\u00e7o 2022.


OTHER TRAINING ACTIVITIES<\/strong><\/p>\n\n\n\n

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4 July 2024 (1h): Mafalda Costa, 'X-ray diffraction techniques and their use in the study and conservation of cultural heritage assets'. Lecture as part of the ADELE-RS project's Advanced Skills in Cultural Heritage Projects, in e-learning format.
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4 de Abril 2024 (1h30): Mariana Pintos dos Santos e Milene Gil, ‘Almada Negreiros: uma abordagem transversal entre hist\u00f3ria da Arte e ci\u00eancias do patrim\u00f3nio’. Uma palestra integrada no ciclo Doutoral do laborat\u00f3rio associado IN2Past.
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13 Mar\u00e7o 2024 (30mn): Milene Gil, ‘Conhecer a arte da pintura mural de Almada Negreiros. Contributo das ci\u00eancias do patrim\u00f3nio para a hist\u00f3ria t\u00e9cnica da arte moderna e conserva\u00e7\u00e3o e restauro’. Uma palestra integrada no ciclo de forma\u00e7\u00e3o para professores do ensino b\u00e1sico e secund\u00e1rio. Uma iniciativa conjunta do Plano Nacional das Artes, World Monuments Fund-Portugal e Administra\u00e7\u00e3o do Porto de Lisboa.
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6 Fevereiro 2024 (2h): Manuel Ribeiro, ‘Fotografar Almada Negreiros’. Uma palestra integrada no workshop Instrumentos de Investiga\u00e7\u00e3o \u2013 Patrim\u00f3nio, Fotografia e Arquivo. Uma iniciativa da Escola das Artes e Centro CHAIA da Universidade de \u00c9vora e C\u00e2mara Municipal de \u00c9vora.<\/p>\n<\/div><\/div>\n\n\n\n

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November 28, 2023 (1h): Milene Gil, \u2018Do you know who this mural belongs to? Lecture given to secondary arts students at Escola Gabriel Pereira, \u00c9vora. Portugal. Activity integrated into Science and Technology Week 2023. An iniciative of program Ci\u00eancia Viva, Portugal.<\/p>\n<\/div><\/div>\n\n\n\n

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0 July 2023 (1h): Milene Gil, \u2018Almada Negreiros under the microscope. Technical and material studies of modern mural paintings for technical art history and conservation\u2019. Lecture given via zoom for project ADELE-RS Advanced E-Learning for Cultural Heritage Restorers specialization. Training modules hosted by ADELE-RS Coordinating Institution, \u2018ARTE E FEDE\u2019, Gerace, Italy, 29 to 31 July 2023.<\/p>\n<\/div><\/div>\n\n\n\n

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23 May 2022 (1h): Milene Gil,\u00a0\u2018Get to know the\u00a0 mural painting by Almada Negreiros\u2019. Lecture given at the Ant\u00f3nio Arroio School of Arts to 10th and 12th grade students. Lisbon, 23 May 2022.<\/p>\n<\/div><\/div>\n\n\n\n

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June 25, 2021 (1h): Milene Gil, \u2018The Technical and Material History of Portuguese Mural Painting and its importance: two case studies\u2019. Heritage talks. Free Course in Technical Art History, IHA-UL.
Program here: https:\/\/htarte.wordpress.com\/programa-actualizado\/<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Nov 30, 2021 (1h): Milene Gil, 'PRESENTATION OF PROJECT THE UNVEILING OF THE ART OF THE MURAL PAINTING OF ALMADA NEGREIROS (1938-1956)'. Discipline Orientation Seminar<\/strong>. 1st semester of the 2nd year of the Master's Degree in Conservation, Restoration and Prod. of Contemporary Art at the Faculty of Fine Arts of the University of Lisbon (FBAUL).<\/p>\n<\/div><\/div>\n\n\n\n

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Day 2 Dec 2021 (1h): Milene Gil, \u2018Discovering the color materials of Almada Negreiros (Phase 1)\u2019. Projeto Cientificamente Prov\u00e1vel. An initiative of Andr\u00e9 de Gouveia School and the University of \u00c9vora. 10th and 12th grade students.
https:\/\/www.facebook.com\/biblioteca.esag\/<\/a>
[photos<\/a>]<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n




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<\/p>","protected":false},"excerpt":{"rendered":"

DOUTORAMENTOS. Gl\u00e1ucia Wanzeller Martins, ‘Arte e Qu\u00edmica: Uma caracteriza\u00e7\u00e3o transdisciplinar no estudo das obras a fresco e falso fresco de Gilda Neuberger (1911-2011).. Programa Doutoral em Qu\u00edmica (c\u00f3d.727). Universidade de \u00c9vora, PortugalDura\u00e7\u00e3o: Set 2021 – presente MESTRADOS . Bruna Filipe Assun\u00e7\u00e3o Godinho, Editorial Design Layout for Research Projects: ALMADA Project’….<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1966","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=1966"}],"version-history":[{"count":60,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1966\/revisions"}],"predecessor-version":[{"id":8267,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/1966\/revisions\/8267"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=1966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}