{"id":3864,"date":"2022-05-05T14:02:42","date_gmt":"2022-05-05T14:02:42","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/?page_id=3864"},"modified":"2022-05-05T14:51:23","modified_gmt":"2022-05-05T14:51:23","slug":"evento-1","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/evento-1\/","title":{"rendered":"Lecturer 1"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><strong>The Commissions in the context of Almada Negreiros art work<\/strong>s<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Abstract<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since the establishment of the Estado Novo dictatorship (1933), modernist artists were summoned by the State to work on various artistic commissions; however, commissions did not arise only at that time. In this brief presentation, I will comment on Almada Negreiros' commissions, comparing work before and after the Estado Novo, as well as public and private commissions, analyzing, in this context, both the constraints of artistic production and the possibilities of pursuing the artist's modernist project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Biographic note<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mariana Pinto dos Santos, art historian and independent curator, holds a PhD in History and Theory from the Facultat de Belles Arts - Universitat de Barcelona. She is an integrated researcher at the Institute of Art History, NOVA FCSH, where she coordinates the Theory of Art, Historiography and Criticism Group. She is co-editor of the Literary Work of Almada Negreiros. She curated, among others, the exhibition Jos\u00e9 de Almada Negreiros: a way of being modern, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisbon (2017). She is co-responsible for the research project Iberian Modernisms and the Primitivist Imaginary ((2018-22) (PTDC \/ ART-HIS \/ 29837\/2017). She is editor at Edi\u00e7\u00f5es do Sagu\u00e3o.&nbsp;<em>Jos\u00e9 de Almada Negreiros: uma maneira de ser moderno,&nbsp;<\/em>Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa (2017).&nbsp;\u00c9 co-respons\u00e1vel pelo projecto de investiga\u00e7\u00e3o&nbsp;<em>Iberian Modernisms and the Primitivist Imaginary<\/em>&nbsp;((2018-22)&nbsp;(PTDC\/ART-HIS\/29837\/2017). \u00c9 editora nas Edi\u00e7\u00f5es do Sagu\u00e3o.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>A encomenda no contexto da obra de Almada Negreiros Resumo Embora a partir da constitui\u00e7\u00e3o do regime do Estado Novo (1933) os artistas modernistas tenham sido convocados&nbsp;pelo Estado&nbsp;para trabalhar em diversas encomendas art\u00edsticas, a encomenda n\u00e3o surgiu s\u00f3 nessa altura. Nesta breve apresenta\u00e7\u00e3o procurar-se-\u00e1 mostrar o trabalho de Almada Negreiros&#8230;<\/p>","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3864","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/3864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=3864"}],"version-history":[{"count":7,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/3864\/revisions"}],"predecessor-version":[{"id":3915,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/3864\/revisions\/3915"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=3864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}