{"id":4431,"date":"2022-06-10T22:05:24","date_gmt":"2022-06-10T22:05:24","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/?page_id=4431"},"modified":"2022-06-10T22:05:24","modified_gmt":"2022-06-10T22:05:24","slug":"resumo-e-nota-biografica-2","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-2\/","title":{"rendered":"Resumo e nota biogr\u00e1fica"},"content":{"rendered":"<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The works of the Church of N. Sra. de F\u00e1tima in the genesis of the mural painting in Almada. The primacy of stained glass.<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">It is in the Church of Nossa Senhora F\u00e1tima that Almada Negreiros produces his first stained glass windows. He dedicates himself to this work with immense energy that he transmits to the entire production team. The iconographic options \u2013 inscribed in the Church's program outlined by the ecclesiastical consultants \u2013 are also a fundamental moment in his career, proposing a personal vision, more popular than erudite, of Catholicism. Some of the themes dealt for the first time will later be transferred to other works, for example the panels at the Gares maritime de Alc\u00e2ntara.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">141 \/ 5 000\nResultados da tradu\u00e7\u00e3o\nI will address these issues in my communication, articulating them with the composite and holistic values of Almada Negreiros' aesthetic system.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Imagem source: \u00a9 O Mirante. Accessible at <a href=\"https:\/\/institutodehistoriadaarte.files.wordpress.com\/2020\/03\/rhs-2-e1583327529959.jpg\">https:\/\/institutodehistoriadaarte.files.wordpress.com\/2020\/03\/rhs-2-e1583327529959.jpg<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Raquel Henriques da Silva <\/strong>She is currently Associate Professor at the Faculty of Social and Human Sciences at NOVA University of Lisbon (NOVA FCSH), Executive Coordinator of the Department of Art History and coordinator of the PhD in Art History. She has been supervising several post-doctoral projects and doctoral theses in the History of Contemporary Art, Museology, History of Lisbon's Urbanism and History of Architecture, which correspond to her main areas of research. She is especially recognized for her work in the field of Museum Studies for her previous experience as Director of Museu do Chiado \u2013 National Museum of Contemporary Art and Director (1993-1997) of the Instituto Portugu\u00eas dos Museus, a public entity that oversees Portuguese museums (1997-1997). 2002). Between 2010 and 2016 she directed the Instituto de Hist\u00f3ria da Arte (IHA \/ NOVA FCSH) where she now leads the Lisbon Study Group. He has been responsible for establishing partnerships and, therefore, obtaining funding from various institutions such as the Calouste Gulbenkian Foundation, the Millennium bcp Foundation and Turismo de Portugal, IP, which have participated in research projects dedicated to the history of exhibitions or buildings. Portuguese heritage. In addition, she led as Principal Investigator two R&amp;D projects funded by the Portuguese Foundation for Science and Technology (FCT), Sources for the History of Art Museums in Portugal [PTDC \/ EAT-MUS \/ 101463\/2008] and From the sacred city to the secular City. The extinction of religious orders and the dynamics of urban transformation in Lisbon in the 19th century [PTDC \/ CPC-HAT \/ 4703\/2012]. She has published extensively in national and some international exhibitions, catalogs and books.<\/p>","protected":false},"excerpt":{"rendered":"<p>As obras da Igreja de N. Sra de F\u00e1tima na g\u00e9nese da pintura mural de Almada. A primazia do vitral \u00c9 na Igreja de Nossa Senhora F\u00e1tima que Almada Negreiros realiza os seus primeiros vitrais. Dedica-se a este trabalho com uma energia imensa que transmite a toda a equipa de&#8230;<\/p>","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4431","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=4431"}],"version-history":[{"count":1,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4431\/revisions"}],"predecessor-version":[{"id":4434,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4431\/revisions\/4434"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=4431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}