{"id":4440,"date":"2022-06-10T22:08:44","date_gmt":"2022-06-10T22:08:44","guid":{"rendered":"https:\/\/almadanegreiros.uevora.pt\/?page_id=4440"},"modified":"2022-06-10T22:08:44","modified_gmt":"2022-06-10T22:08:44","slug":"resumo-e-nota-biografica-3","status":"publish","type":"page","link":"https:\/\/almadanegreiros.uevora.pt\/en\/resumo-e-nota-biografica-3\/","title":{"rendered":"Resumo e nota biogr\u00e1fica"},"content":{"rendered":"<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Materialization and materiality in the geometry of\u00a0Almada<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">During his career, Almada Negreiros valued both his work on murals and geometric research, the latter more intensely in the latter part of his life. In this lecture we will present some works that are located at the junction of these two interests, namely the facades of the University City, the panels of the Mathematics Building in Coimbra and the panel Begin, in the lobby of the Gulbenkian Foundation headquarters.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Pedro Freitas<\/strong> is Assistant Professor at the Department of History and Philosophy of Science at the Faculty of Sciences of the University of Lisbon. He received his PhD in Mathematics in 1999 from the University of Illinois at Chicago. In addition to conducting chair work and research, fundamentally in the history of mathematics and recreational mathematics, he is also dedicated to topics of dissemination and interdisciplinary, namely the relationship between mathematics and art.<br><br><br>\u00a0<strong>Sim\u00e3o Palmeirim<\/strong> He has a degree in Painting (FBAUL), a Masters in Fine Arts (Central Saint Martins) and a PhD in Art Sciences (FBAUL). He works as an independent curator, cultural mediator, and teaches the \u201cArt and Mathematics\u201d training for the Plano Nacional das Artes. His recent research is dedicated to geometric abstractionism, paying particular attention to the work of Almada Negreiros.<br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a id=\"_msocom_1\"><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Materializa\u00e7\u00e3o e materialidade na geometria de Almada Almada Negreiros prezou, durante a sua carreira, tanto o trabalho em murais como a investiga\u00e7\u00e3o geom\u00e9trica, esta \u00faltima com mais intensidade na \u00faltima parte da sua vida. Nesta palestra apresentaremos algumas obras que se situam na jun\u00e7\u00e3o destes dois interesses, nomeadamente as fachadas&#8230;<\/p>","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4440","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=4440"}],"version-history":[{"count":1,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4440\/revisions"}],"predecessor-version":[{"id":4443,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/pages\/4440\/revisions\/4443"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=4440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}