Vamos conhecer a obra de pintura mural de Candido Portinari, um dos maiores expoentes da Arte Brasileira do s\u00e9c. XX? \u00c9 j\u00e1 nesta sexta-feira, dia 18, \u00e0s 17h (GMT). A n\u00e3o perder!<\/p>\n\n\n\n
Oitava Palestra: 18 de Fevereiro \u00e0s 17h, com Claudia Nunes e o Legado Cultural Brasileiro- As obras de Candido portinari no Pal\u00e1cio Gustavo Capanema-Rio de Janeiro-Brasil<\/p>\n\n\n\n
Link: https:\/\/videoconf-colibri.zoom.us\/j\/84085992130?pwd=NXdpdVRDRUVlcjJjWjN4L3h3dmIwdz09<\/p>\n\n\n\n
Abstract<\/p>\n\n\n\n
Among the young artists invited to decorate the Gustavo Capanema Palace (PGC), there was Candido Portinari (1903\/1961), a promising Brazilian painter who had won the Travel to Europe Prize (1929\/30) and had already exhibited in relevant museums. such as MoMa (NY, USA).<\/p>\n\n\n\n
Between 1936 and 1945 Portinari worked at the PGC where he developed specific themes for the first time: Economic Cycles, a group of 12 paintings (2.80 m x 2.80 m each) representing the work of the Brazilian people. These paintings were executed using the fresco technique, which Portinari had never used before, as he mentions in a letter to the poet and writer M\u00e1rio de Andrade, a friend of his. Portinari uses this technique as a basis to create the other murals in the same building, his first large-scale works, representing: Children's Games (4.50 m x 12.80 m), Choir and Singing School (4.50 m x 3 .90 m each).<\/p>\n\n\n\n
478 \/ 5 000\nResultados da tradu\u00e7\u00e3o\nAiming to reveal these almost unknown works to the general public, the project under development, the Portinari PGC Project, embraces this collection, notably through the characterization of materials and techniques and their application in the production of paintings, looking for the affinities and differences between these and other modernist works in European and North American collections, with a view, in particular, to clarifying the numerous problems of Conservation.<\/p>\n\n\n\n
Nota bibliogr\u00e1fica<\/p>\n\n\n\n
Claudia Nunes \u00e9 Chefe do Setor de Bens M\u00f3veis e Integrados do IPHAN no Rio de Janeiro, atuando como Consultora e Fiscal de Cons. e Restaura\u00e7\u00e3o de Bens M\u00f3veis Integrados para acervos e monumentos tombados, cuidando tamb\u00e9m da restaura\u00e7\u00e3o de centros hist\u00f3ricos como Paraty, e atuando como parecerista para Projetos PRONAC, fiscaliza as obras de restauro do Museu Nacional e \u00e9 respons\u00e1vel pela orienta\u00e7\u00e3o do restauro das obras art\u00edsticas do Pal\u00e1cio Gustavo Capanema. Al\u00e9m de ter v\u00e1rios trabalhos publicados, ministrou cursos na Funda\u00e7\u00e3o Joaquim Nabuco\/RE, Projeto faz Cultura \/Caixa Cultural de Salvador\/BA e Associa\u00e7\u00e3o ArcoIt\/Curitiba\/PR. Claudia \u00e9 doutoranda no Curso de Doutoramento em Conserva\u00e7\u00e3o e Restaura\u00e7\u00e3o de Bens M\u00f3veis Culturais na Universidade Cat\u00f3lica do Porto, Portugal e membro do CITAR \u2013 Centro de Investiga\u00e7\u00e3o Tecnol\u00f3gica e das Artes, e professora no Centro T\u00e9cnico de Restauro Templo da Arte em S\u00e3o Paulo. <\/p>\n\n\n\n
Image: Panel \u201cChildren's Games\u201d, in the tempera technique, painted in 1944, measuring 4.77mx 12.95m. Unknown author. Iphan-RJ Archive \u00a9All rights reserved<\/p>\n\n\n\n
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Vamos conhecer a obra de pintura mural de Candido Portinari, um dos maiores expoentes da Arte Brasileira do s\u00e9c. XX? \u00c9 j\u00e1 nesta sexta-feira, dia 18, \u00e0s 17h (GMT). A n\u00e3o perder! Oitava Palestra: 18 de Fevereiro \u00e0s 17h, com Claudia Nunes e o Legado Cultural Brasileiro- As obras de…<\/p>","protected":false},"author":10,"featured_media":3448,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria"],"_links":{"self":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/posts\/3445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/comments?post=3445"}],"version-history":[{"count":1,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/posts\/3445\/revisions"}],"predecessor-version":[{"id":3451,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/posts\/3445\/revisions\/3451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media\/3448"}],"wp:attachment":[{"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/media?parent=3445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/categories?post=3445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/almadanegreiros.uevora.pt\/en\/wp-json\/wp\/v2\/tags?post=3445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}