ORGANIZATION
INTERNATIONAL CONFERENCE COLOURS2022: Bridging Science with Art
Link: http://www.hercules.uevora.pt/Colours2022/
Third edition dedicated to modern and contemporary art, with a focus on murals and street art.
14 to 16 September at Évora University, Portugal
Programa e livro de resumos em: https://www.hercules.uevora.pt/Colours2022/documents/Colours2022-BookofAbstracts.pdf
Video of COLOURS2022: https://youtu.be/2a4640GF8dQ
All presentations at: https://www.hercules.uevora.pt/Colours2022/programme.html
Photo gallery of the conference: https://www.hercules.uevora.pt/Colours2022/album/
ATTENDANCE
2024 2023 2022 2021
2024
1 Fev 2024: Milene Gil, Inês Cardoso , Mafalda Costa, Luís Dias, Sara Valadas, Ana Manhita, Cristina Dias,
Alberto Barontini, Teresa Caldeira e António Candeias, ‘Conhecer para (melhor) conservar as pinturas murais de Almada Negreiros. A importância do diagnóstico como etapa prévia a intervenções de conservação e restauro: O caso de estudo da gare da Rocha do Conde de Óbidos. 4º ENCONTRO NACIONAL DO LABORATÓRIO ASSOCIADO IN2PAST. FCSH-NOVA, Lisboa, 1-2 de Fev 2024.
2023
10 May 2023: Milene Gil, Mafalda Costa, Sara Valadas, Inês Cardoso, Ana Cardoso, Ana Manhita, Jie Wu, Alberto Barontini, ‘Mapping and identification of decay on the modern mural paintings sets by Almada Negreiros at the Maritime stations of Alcântara, Lisbon: type, origin, and consequences’.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
10 May 2023: Milene Gil, Inês Cardoso, Ana Cardoso, Ana Manhita, ‘How are they aging? Tracking past treatment materials in modern mural painting sets by Almada Negreiros in the two maritimes stations of Alcântara, Lisbon’. TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
10 May 2023: Milene Gil, Mafalda Costa, Sara Valadas, Inês Cardoso, Ana Cardoso, Ana Manhita, Jie Wu, Alberto Barontini, ‘Mapping and identification of decay on the modern mural paintings sets by Almada Negreiros at the Maritime stations of Alcântara, Lisbon: type, origin, and consequences’.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
10 May 2023: Penka I. Girginova and Milene Gil, ‘Microscopic studies of red ochre fresco paint layers replicas treated with nanolime’.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
11 Maio 2023: Mafalda Costa, Giacomo Chiari, Luis Dias, Yigit Helvaci, Milene Gil ‘On the application of SmART_scan in the study of the Planisphere mural painting by the Portuguese modernist Almada Negreiros’.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
11 Maio 2023: Gláucia Wanzeller, Teresa Ferreira, Milene Gil, ‘Analytical study of the powdered pigments collection from the Brazilian artist Gilda Neuberger (1911-2011)’.TECHNART2023: International conference on analytical techniques in art and cultural heritage. Faculdade de Ciências. Lisboa, 7-12 Maio 2023.
site: https://technart2023.com/
6 a 9 Setembro 2023: Sara Valadas, Mafalda Costa, Peter Vandenabeele, Eva Vermeersch, Sylvia Lycke, Youssef Ismael, Milene Gil, ‘Get to known the greens of Almada Negreiros mural paintings at the maritime station of Rocha do Conde de Óbidos, Lisbon’. A multidisciplinary approach’. Raa2023: International Conference on the Application of Raman Spectroscopy in Art and Archeology. The National Gallery-Alexandros Soutsos Museum Athens, Greece, 6-9 September.
site: https://www.raa2023.ugent.be/
23 Setembro 2023: Milene Gil, ‘Projeto ALMADA é para todos em qualquer lugar‘. Jornadas Europeias do Património Vivo. Museu Nacional Frei do Cenáculo, Évora, Portugal.
27 Setembro 2023: Milene Gil, ‘ALMADA Project, Lisbon, PORTUGAL’. Presentation of the awarded nomination at the Heritage Excellence Day – Europa Nostra2023, Sala degli Arazzi, Fondazione Giorgio Cini, Island of San Giorgio Maggiore. European Cultural Heritage Summit, Veneza, Itália.
Site com o programa: https://www.europanostra.org/events/excellence-day-presentations-by-the-award-winners-2023/
Video das apresentações do Heritage Excellence Day. A apresentação do projeto Almada a 2.39:46.
Photos here
23 Outubro 2023: Milene Gil, ‘Projeto ALMADA’. Apresentação da candidatura ganha Nos Prémios Europeus do património EUROPA NOSTRA2023 na categoria Envolvimento e Sensibilização dos cidadãos. Cerimónia de entrega do Prémio Europeu Helena Vaz da Silva. Fundação Calouste Gulbenkian, Lisboa, Portugal.
Video da cerimónia here. The presentation of the ALMADA project can be seen from min 47:14.
Translation by Deepl Translate
5-7 Dezembro 2023: Joaquin Ramos, Alexa Camaxo, Glynnis Flaum, Elisabed Lejava, Alberto Barontini, Paulo Levaja, Paulo B. Lourenço e Milene Gil, ‘Rocha Do Conde De Óbidos Maritime Station: Preliminary Results of the Inspection’ CIRMARE 2023: International Conference on Recovery, Maintenance and Rehabilitation of Buildings, Covilhã, 5-7 December 2023
Site: https://microbiotec23.organideia.com/
Abstract book [ P1.32, pag.56]
2022
4 de Fev 2022: Sara Valadas, ‘PT E-RIHS_National Node_PROJECTS’ [ Presentation of ALMADA PROJECT]
https://www.iperionhs.eu/
23 March 2022: Milene Gil, Mafalda Costa, Sara Valadas, Ana Cardoso, ‘The paintings materials’s of Almada Negreiros (1893:1970): Analysis of powder pigments found at his studio’. MUNCH2022: Understanding Munch and the art at the turn of the centuries- Between the Museum and the Laboratory’. 1st International conference. Oslo, Munch Museum 21-23 March 2022.
23 March 2022: Milene Gil, Silvia Bottura Scardina, Ana Cardoso, Ana Manhita, Mafalda Costa, Catarina Miguel, Sara Valadas, ‘Building up a reference collection of mural paint layers with different pictorial techniques and colorants for materials and diagnostic studies (Phase1)’. MUNCH2022: Understanding Munch and the art at the turn of the centuries- Between the Museum and the Laboratory. 1st International conference. Oslo, Munch Museum 21-23 March 2022.
Program: https://www.hercules.uevora.pt/THE_SCREAM/conference/programme.php
23 April 2022: Milene Gil, Ilia Kovalev, Mafalda Costa, Sara Valadas, Ana Cardoso, António Candeias, ‘The Pentecost Painting by Julio Resende: Scientific Study of a Mural’. Lecture given within the scope of the Science and Art Mission, an initiative of the University of Évora and Évora City Council.
Program: https://www.uevora.pt/ue-media/agenda?item=34447
Photos here
16 May 2022: Milene Gil, Unveiling the mural painting art of ALMADA Negreiros (1938-1956): Scientific Study of Pictorial Techniques, Materials and Diagnostics as guides for their future conservation and enjoyment. Science Meeting Session 22: Meeting with Science and Technology in Portugal. 16 to 18 May 2022. Congress Centre, Lisbon.
Program (thematic session: Art, Culture and Heritage): https://www.encontrociencia.pt/2022/?accao=sessoestematicas&dia=16
Video record (min15:05 ao 22:04): https://www.youtube.com/watch?v=9MC4d4eKD5M
28 Jun-1Jul 2022: Ana Cardoso, Sara Valadas, Milene Gil, ‘An analytical approach: how much does calcium carbonate interfere in the identification of organic binders in mural paintings?’ InArt2022: 5th International Conference on innovation in Art Research and Technology. 28Jun-1July2022, Paris -França.
5 Sept 2022: Milene Gil,An overview of Project ALMADA Negreiros. Showcase of shortlisted KECK Award nominations. Wellington Congress 2022-Conservation and Change: Response, Adaptation and Leadership. 5 -9 September 2022.
Video record (15:15mn), do dia 5 às 10h45-11h45. Disponível online para membros da IIC.
Program [pag.19]: https://www.iiconservation.org/congress/sites/iiconservation.org.congress/files/1080-846.pdf
9 Sept 2022: Milene Gil, 'Flying with Almada Negreiros'. Round Table 06.S1.N2.-Évora-Territory, city, science and scientific spaces. Crossed insights. VIII APA Congress - The New 20s - Challenges, Uncertainties, Resistances. Colégio do Espirito Santo. Évora University. September 7th to 9th 2022.
Program [pag.917]: https://apa2022.apantropologia.org/wp-content/uploads/2022/08/Paineis-e-Comunicacoes-aprovados_IX.pdf
14 -16 Sept 2022: Presentations of ALMADA project made at COLOURS2022: Bridging Science with Art (3rd Edition). Colégio do Espírito Santo, University of Évora, 14th to 16th September.
1. Mariana Pinto dos Santos, ‘Almada Negreiro’s work under, for and about the Portuguese dictatorship of the Estado Novo‘.
2. Simão Palmeirim, ‘Decoding a drawing: Igreja de Nossa Senhora de Fátima glass works colour scheme‘.
3. Gláucia Wanzeller, Teresa Ferreira, Milene Gil, ‘Colours, inspiration, and history behind Gilda Gelmini Neuberger (1811-2011).
4. Cláudia Nunes, Carolina Barata, Maria Aguiar, Roberto Carlos da Conceição Ribeiro, Rosana Elisa Coppedê Silva, Caroline Martins de Souza e Michelle Teixeira Cassiano, ‘Children’s Games – A large painting by Candido Portinari at Gustavo Capanema Palace – RJ, Brazil‘.
5. Andrea Acevedo Mejía, Mafalda Costa, Peter Vandenabeele, Luis Dias , Ana Manhita, Milene Gil, ‘An Insight into the Green Deteriorated Mural Paint Layers at the Maritime Station of Alcântara (Lisbon): first results of an Archeometric Study‘.
6. Keelie S. Rix, Luis Dias, Sara Valadas, Ana Cardoso, Ana Manhita, Milene Gil, ‘Preliminary diagnostic Survey of 1947-1949 Paint Layers at the Maritime Station of Rocha Do Conde De Óbidos, Lisbon: A Multi Analytical Research‘.
7. Leslie Rainier, ‘David Alfaro Siqueiros in Los Angeles, 1932‘.
8. Mercedes Sánchez-Pons, ‘The conservator-restorer and the Street Art: the questions are on the table. The Valencian Old City Case’.
9. Mathilda L Coutinho, Silvia Pereira, Catarina Geraldes, Milene Gil, Silvia Bottura Scardina, João Pedro Veiga and Andreia Ruivo, ‘Colours of the Tijomel ceramic manufacture (1941-1992): characterization of the ceramic pigments’.
10. Milene Gil, Yigit Helvaci, Ana Cardoso and Mafalda Costa, ‘The Colourful Planisphere Painting of Almada Negreiros (Part1): phases of execution, technical and material details. Some observations’.
11. Penka I. Girginova, Cristina Galacho and Milene Gil, ‘Studies of the long-term effect of nanoconsolidants on mural paint layers with a lack of cohesion’.
12. Milene Gil, Marius Araújo, Jani Santos e Carlo Bottaini, ‘Testing advanced 2 and 3D imaging techniques on Almada Negreiros murals technical and material studies’.
30 Sept 2022: Speed dating with Cultural Heritage. ALMADA Project at the European Researchers' Night 2022, NEI2022. Giraldo Square, Évora, Portugal.
Program [pag3 of pdf]: https://drive.google.com/file/d/1dyAY1_bBi9LGKo8m4rjlwPcHLxDXqqlK/view
13 Oct 2022: Inês Cardoso, Cláudia Pereira , Michele Portela, Irene Frazão, Gabriela Carvalho, Milene Gil, ‘The mural paintings by Almada Negreiros in the Maritime Stations of Alcântara and Rocha do Conde de Óbidos; documentary research and analytical investigation of past interventions‘. IV Edition of the Ibero-American Congress on Research in Conservation and Restoration. Faculty of Fine Arts, Pharmacy Museum, 14-18 October 2022.
14 Oct 2022: Milene Gil e Catarina Pinheiro, ‘The open science strategy and community involvement in the ALMADA project. IV Edition of the Ibero-American Congress on Research in Conservation and Restoration’. Faculty of Fine Arts, Pharmacy Museum, 14-18 October 2022
22 Nov 2022:Mariana Pinto dos Santos, ‘Aesthetics and politics in the murals of Almada Negreiros'‘ [min 57:44 to 60:35]. The Murals of Almada Negreiros and the Marítime stations of Alcântara and Rocha do Conde d’Óbidos: a critical look(s) on their history and an invitation to reflect on their contemporary value. Auditorium Gare Marítima de Alcântara. An initiative by APL, WMF and PNA. November 22, 2022
29 de Nov 2022: Glaucia Wenzeller, Arte e química, cores e história por trás de Gilda Gelmini Neuberger. Salão Nobre, LARC-UFRJ, Brasil.
2021
9 Sept 2021: Mariana Pinto dos Santos participou no Seminário Aberto Face au mur. La décoration murale en France (1870-1945), organized at INHA, Paris, presenting the research on the mural paintings by Almada Negreiros in the Maritime stations of Alcântara and Rocha do Conde de Óbidos in Séance 2 – Une histoire culturelle du mur : politiques, usages et circulation, chaired by Prof. Beatrice Joyeux-Prunel. University of Geneva.
Program: https://faceaumur.hypotheses.org/36
24 Sept 2021: Projeto ALMADA na Noite Europeia dos Investigadores 2021, Praça do Giraldo, Évora. Milene Gil e Marius Araújo com demonstração do levantamento 3D efetuado na Escola BE Patrício Prazeres, em Lisboa. Uma parceria do Laboratório HERCULES com o ARTERIA LAB da Universidade de Évora, Portugal.
21 Oct 2021: Mafalda Costa, Sara Valadas, Ana Cardoso, Alice Vracken, Milene Gil, ‘Scientific Inventory of Almada Negreiros’ painting materials. Phase1: Powder pigments from LEFRANC-Paris-Couleurs pour la fresque’. 1st European Symposium on Drugs & Colors in History: from the past to the present: revisiting ancient Pharmacies, Apothecaries, Spezierias & Workshops. Universitat de València, Spain.
Program: https://www.uv.es/drugsandcolor/program.html
22 Dec 2021: Milene Gil, ‘Cultural Heritage, Studies and Safeguarding (HERCULES Laboratory)’, University of Évora. ScienceDay@South -Heritage, Land and Sea. Auditorium of the Colégio do Espírito Santo, University of Évora.
Programa: https://www.uevora.pt/ue-media/noticias?item=33603